East of Eden
Author | Steinbeck, John |
Published | 1952 |
Status | reading |
Recommender | Elizabeth B. |
Rating | NR/5 |
East of Eden is one of the best books I have read. The language is tight, the themes accessible, and yet never simplistic. Excellent.
Lovable, flawed, evil, virtue. It’s a kind of timeless book that doesn’t stake itself in a particular morality, and will be readable a hundred years from now without feeling foreign because it leaves so much interpretation to the reader.
I’ve put a few especially good excerpts here.
Chapter 12
You can see how this book has reached a great boundary that was called 1900. Another hundred years were ground up and churned, and what had happened was all muddied by the way folks wanted it to be - more rich and meaningful the farther back it was. In the books of some memories it was the best time that ever sloshed over the world - the old time, the gay time, sweet and simple, as though time were young and fearless. Old men who didn’t know whether they were going to stagger over the boundary of the century looked forward to it with distaste. For the world was changing, and sweetness was gone, and virtue too. Worry had crept on a corroding world, and what was lost - good manner, ease, and beauty? Ladies were not ladies any more, and you couldn’t trust a gentleman’s word.
There was a time when people kept their fly-buttons fastened. And man’s freedom was boiling off. And even childhood was not good any more - not the way it was. No worry then but how to find a good stone, not round exactly but flattened and water-shaped, to use in a sling pouch cut from a discarded shoe. Where did all the good stones go, and all simplicity?
A man’s mind vagued up a little, for how can you remember the feeling of pleasure or pain or choking emotion? You can remember only that you had them. An elder man might truly recall through water the delicate doctor-testing of little girls, but such a man forgets, and wants to, the acid emotion eating at the spleen so that a boy had to put his face flat down in the young wild oats and drum his fists against the ground and sob “Christ! Christ!” Such a man might say, and did, “What’s that damned kid lying out there in the grass for? He’ll catch a cold.”
Oh, strawberries don’t taste as they used to and the thighs of women have lost their clutch!
And some men eased themselves like setting hens into the nest of death.
History was secreted in the glands of a million historians. We must get out of this banged-up century, some said, out of this cheating, murderous century of riot and secret death, of scrabbling for public lands and damn well getting them by any means at all.
Think back, recall our little nation fringing the oceans, torn with complexities, too big for its britches. Just got going when the British took us on again. We beat them, but it didn’t do us much good. What we had was a burned White House and ten thousand widows on the public pension list.
Then the soldiers went to Mexico and it was a kind of painful picnic. Nobody knows why you go to a picnic to be uncomfortable when it is so easy and pleasant to eat at home. The Mexican War did two good things though. We got a lot of western land, damn near doubled our size, and besides that it was a training ground for generals, so that when the sad self-murder settled on us the leaders knew the techniques for making it properly horrible.
And then the arguments: Can you keep a slave? Well, if you bought him in good faith, why not? Next they’ll be saying a man can’t have a horse. Who is it wants to take my property?
And there we were, like a man scratching at his own face and bleeding into his own beard.
Well, that was over and we got slowly up off the bloody ground and started westward.
There came boom and bust, bankruptcy, depression.
Great public thieves came along and picked the pockets of everyone who had a pocket.
To hell with that rotten century!
Let’s get it over and the door closed shut on it! Let’s close it like a book and go on reading! New chapter, new life. A man will have clean hands once we get the lid slammed shut on that stinking century. It’s a fair thing ahead. There’s no rot on this clean new hundred years. It’s not stacked, and any bastard who deals seconds from this new deck of years - why, we’ll crucify him head-down over a privy.
Oh, but strawberries will never taste so good again and the thighs of women have lost their clutch!
Chapter 23, p. 305
Doxology stood patiently in the stall, head down, his milky eyes staring at the straw under his feet.
“You’ve had that horse forever,” Adam said.
“He’s thirty-three,” said Samuel. “His teeth are worm off. I have to feed him warm mash with my fingers. And he has bad dreams. He shivers and cries sometimes in his sleep.”
“He’s about as ugly a crow bait as I ever saw,” Adam said.
“I know it. I think that’s why I picked him when he was a colt. Do you know I paid two dollars for him thirty-three years ago? Everything was wrong with him, hoofs like flapjacks, a hock so thick and short and straight there seems no joint at all. He’s hammerheaded and swaybacked. He has a pinched chest and a big behind. He has an iron mouth and he still fights the crupper. With a saddle he feels as though you were riding a sled over a gravel pit. He can’t trot and he stumbles over his feet when he walks. I have never in thirty-three years found one good thing about him. He even has an ugly disposition. He is selfish and quarrelsome and mean and disobedient. To this day I don’t dare walk behind him because he will surely take a kick at me. When I feed him mash he tries to bite my hand. And I love him.”
Lee said, “And you named him ‘Doxology.’”
“Surely,” said Samuel, “so ill endowed a creature deserved, I thought, one grand possession. He hasn’t very long now.”
Adam said, “Maybe you should put him out of his misery.”
“What misery?” Samuel demanded. “He’s one of the few happy and consistent beings I’ve ever met.”
Chapter 34
A child may ask, “What is the world’s story about?” And a grown man or woman may wonder, “What way will the world go? How does it end and, while we’re at it, what’s the story about?”
I believe that there is one story in the world, and only one, that has frightened and inspired us, so that we live in a Pearl White serial of continuing thought and wonder. Humans are caught–in their lives, in their thoughts, in their hungers and ambitions, in their avarice and cruelty, and in their kindness and generosity too–in a net of good and evil. I think this is the only story we have and that it occurs on all levels of feeling and intelligence. Virtue and vice were warp and woof of our first consciousness, and they will be the fabric of our last, and this despite any changes we impose on field and river and mountain, on economy and manners. There is no other story. A man, after he has brushed off the dust and chips of his life, will have left only the hard, clean questions: Was it good or was it evil? Have I done well–or ill?
Herodotus, in the Persian War, tells a story of how Croesus, the richest and most-favored king of his time, asked Solon the Athenian a leading question. He would not have asked it if he had not been worried about the answer. “Who,” he asked, “is the luckiest person in the world?” He must have been eaten with doubt and hungry for reassurance. Solon told him of three lucky people in old times. And Croesus more than likely did not listen, so anxious was he about himself. And when Solon did not mention him, Croesus was forced to say, “Do you not consider me lucky?”
Solon did not hesitate in his answer. “How can I tell?” he said. “You aren’t dead yet.”
And this answer must have haunted Croesus dismally as his luck disappeared, and his wealth and his kingdom. And as he was being burned on a tall fire, he may have thought of it and perhaps wish he had not asked or not been answered.
And in our time, when a man dies–if he has had wealth and influence and power and all the vestments that arouse envy, and after the living take stock of the dead man’s property and his eminence and works and monuments–the question is still there: Was his life good or was it evil?–which is another way of putting Croesus’s question. Envies are gone, and the measuring stick is: “Was he loved or was he hated? Is his death felt as a loss or does a kind of joy come from it?”
I remember clearly the deaths of three men. One was the richest man of the century, who, having clawed his way to wealth through the souls and bodies of men, spent many years trying to buy back the love he had forfeited and by that process performed great service to the world and, perhaps, had much more than balanced the evils of his rise. I was on a ship when he died. The news was posted on the bulletin board, and nearly everyone received the news with pleasure. Several said, “Thank God that son of a bitch is dead.”
Then there was a man, smart as Satan, who lacking some perception of human dignity and knowing all to well every aspect of human weakness and wickedness, used his special knowledge to warp men, to buy men, to bribe and threaten and seduce until he found himself in a position of great power. He clothed his motives in the names of virtue, and I have wondered whether he ever knew that no gift will ever buy back a man’s love when you have removed his self love. A bribed man can only hate his briber. When this man died the nation rang with praise and, just beneath, with gladness that he was dead.
There was a third man, who perhaps made many errors in performance but whose effective life was devoted to making men brave and dignified and good in a time when they were poor and frightened and when ugly forces were loose in the world to utilize their fears. This man was hated by the few. When he died the people burst into tears in the streets and their minds wailed, “What can we do now? How can we go on without him?”
In uncertainty I am certain that underneath their topmost layers of frailty men want to be good and want to be loved. Indeed, most of their vices are attempted short cuts to love. When a man comes to die, no matter what his talents and influence and genius, if he dies unloved his life must be a failure to him and his dying a cold horror. It seems to me that if you or I must choose between two courses of thought or action, we should remember our dying and try so to live that our death brings no pleasure to the world.
We have only one story. All novels, all poetry, are built on the never-ending contest in ourselves of good and evil. And it occurs to me that evil must constantly respawn, while good, while virtue, is immortal. Vice has always a new fresh young face, while virtue is venerable as nothing else in the world is.
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